The real challenge here is that the files you queue up are not guaranteed to have any consistency in subtitle tracks. Persisting subtitles when scanning arbitrary files was an un-intended side effect. The thought was when you switch titles within a disc or add a batch of titles from a disc it could use your current subtitle choices because they're likely to be consistent across the disc (like multiple TV episodes). TrueHD audio can be converted to AC3 6-channel using the AC3 passthru selection using svn4256 as well.īuffalofloyd: When you batch multiple files right now it doesn't add any subtitles to them. Using the latest handbrake nightly 64-bit GUI: įWIW: I was able to successfully encode DTS-HD MA passthru as well as DTS passthru using svn4256 Handbrake build. While the truth is I could probably not hear the difference between encoding from a core track vs lossless track, mentally I can :) It would just seem to be me that using a lossless track as the foundation for encoding to lossy is more sensible then a lossy to lossy conversion. Does Handbrake do this in any fashion? I know that TrueHD is now supported within FFDSHOW, but DTS-HD MA is not. Now I know I am probably being excessive about this, but I do know that when RipBot264 runs into TrueHD or DTS-HD MA that it will transcode it to FLAC and then allow you to convert that to AAC or AC3. I know there has been some support added in the engine for passthrough of TrueHD, DTS-HD MA, but I am not clear on what happens when you request a conversion. I am trying to get a handle on how the Handbrake engine is decoding lossless codecs. One more question: Vidcoder seems to crash a lot at the end of an encoding (after the last outputfile of an queue is created), got this many times but the created files seems to be ok: I use now 6channel discrete and happy with it :-) Thank you for the explanation and the link. So a receiver that supports DPLII can expand the 2 channels back to 5. In a nutshell, it matrixes 5 channels down to 2 in a lossy but reversible manner.
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